For titles, auction houses and clubs. Results checked against the catalogue, cars covered from the transport lot up, one editor on the piece from brief to final file.
Every number is checked against a source that is named. Buyer's premium is stated. Photography is ours unless credited. You receive words, pictures and video you can run under your masthead or ours, and we carry them to our own readers and to distribution partners picked for the story.
Every lot matched to its catalogue estimate across houses, with sell-through and the lots that moved the market, not only the headline car.
Concours and vintage racing covered from the ground: Pebble Beach, The Quail, the Reunion, Amelia Island, ModaMiami, Goodwood Revival, Rétromobile.
Low-volume debuts, significant restorations and collections written from the stand or the workshop, with the provenance and the people.
Reels and Shorts cut on the floor: stands, paddocks, staging lanes and the cars being loaded out.
One editor on the piece from the brief to the final file. No account layer.
The event or the car, the angle you need, the word count, the formats and the deadline. A phone call or one email is enough.
Accredited at the event or on site with the car. Our own photography and video. Numbers taken from the catalogue and the results sheet, not the press release.
Copy, edited stills and cut video in one folder. Published through our own channels, the newsletter, and distribution partners chosen for the story, named in the proposal with their audiences.
Four houses, every lot matched to the catalogue estimate.
1,000 hp, 40 inches tall, and the paperwork that gets it into the country.
The winter shows and sales, with the catalogues to watch.
RM Sotheby's, Broad Arrow, Gooding Christie's and Bonhams sell in the same week. One brief covers the show preview, daily video from the halls and a cross-house results analysis after the last hammer.
Editors, auction houses and clubs: the event or car, the formats and the date.